The Performance Club

Scott Xxxxxxxx in The Wooster Group’s HAMLET. Photo: Paula Court. So… I                        when I first                                        some people said well the Woosters’                           that whole blah blah blah story about the avant-garde xxxxxxxxxxxxxxxxxx as it xxxx. And I completely agree                                                    there are some exceptions and I think xxxxxxxx is one of my

these dancers, tere tells us early on in the interrogation. they’re so liquid in their interpreting that they’re almost like audience members inside of the dance how much comes from the audience all of these finished products will become just material he says there are big pots of geraniums on

I attended the dress rehearsal of Big Dance Theater’s new production, Alan Smithee Directed This Play: Triple Feature at the Brooklyn Academy of Music. This is some of what happened to me and some of what I heard, as written only while in the Harvey Theater, for 80 minutes of a Tuesday afternoon:

Rashaun Mitchell, Claudia La Rocco, Silas Riener and Davison Scandrett in “Way In,” a site-specific performance at Danspace Project by Mitchell and Riener, in collaboration with La Rocco and Scandrett. Photo: Paula Lobo. the athlete is off center The arms make an infinity. They stand very still, wrapped around each

(I said: “Is it important to you at all to make beauty?” And then he said: “I don’t know about that word. But I want to make something I like. I don’t understand these artists that say they are working with things they don’t like–that they think are trash.”   …an exchange