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This article was written on 10 Oct 2011, and is filed under Claudia's Blog.

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Anne Teresa De Keersmaeker Responds to Beyoncé Video

[Update: Rosas just sent the following:

"At this time, Rosas hasn't received any answer from Beyoncé or her management.

Meanwhile, Beyoncé has released a statement in which she admits to having been ‘inspired’ by the performance 'Rosas danst Rosas.' Rosas maintains it's position: the films 'Rosas danst Rosas' and 'Achterland' have been plagiarized in her videoclip. The montages you can find below illustrate this.

According to Rosas, the videoclip ‘Countdown' cannot be shown without prior approval of the authors (i.e. Anne Teresa De Keersmaeker and Thierry De Mey). Our lawyer has communicated this position to Sony. Rosas wishes to begin a dialogue with them in a neutral context  and will not comment on the contents of these negotiations."]

 

A Rosas company rep sent me the following a little while ago. Straight from De K:

Like so many people, I was extremely surprised when I got a message through
Facebook about the special appearance of my two choreographies – Rosas danst
Rosas (1983) and Achterland (1990) in Beyoncé’s new videoclip Countdown. I
was asked if I were now selling out Rosas into the commercial circuit…
When I saw the actual video, I was struck by the resemblance of Beyoncé’s clip
not only with the movements from Rosas danst Rosas, but also with the
costumes, the set and even the shots from the film by Thierry De Mey.
Obviously, Beyoncé, or the video clip director Adria Petty, plundered many
bits of the integral scenes in the film, which the videoclip made by Studio
Brussel by juxtaposing Beyoncé‘s video and the Rosas danst Rosas film gives a
taste of. But this videoclip is far from showing all materials that Beyoncé
took from Rosas in Countdown. There are many movements taken from Achterland,
but it is less visible because of the difference in aesthetics.


People asked me if I’m angry or honored.

Neither, on the one hand, I am glad that Rosas danst Rosas can perhaps reach a
mass audience which such a dance performance could never achieve, despite its
popularity in the dance world since 1980s. And, Beyoncé is not the worst
copycat, she sings and dances very well, and she has a good taste!
On the other hand, there are protocols and consequences to such actions, and I
can’t imagine she and her team are not aware of it.
To conclude, this event didn’t make me angry, on the contrary, it made me
think a few things.
Like, why does it take popular culture thirty years to recognize an
experimental work of dance? A few months ago, I saw on Youtube a clip where
schoolgirls in Flanders are dancing Rosas danst Rosas to the music of Like a
Virgin by Madonna. And that was touching to see. But with global pop culture
it is different, does this mean that thirty years is the time that it takes to
recycle non-mainstream experimental performance?
And, what does it say about the work of Rosas danst Rosas? In the 1980s, this
was seen as a statement of girl power, based on assuming a feminine stance on
sexual expression. I was often asked then if it was feminist. Now that I see
Beyoncé dancing it, I find it pleasant but I don’t see any edge to it. It’s
seductive in an entertaining consumerist way.
Beyond resemblance there is also one funny coincidence. Everyone told me, she
is dancing and she is four months pregnant. In 1996, when De Mey‘s film was
made, I was also pregnant with my second child. So, today, I can only wish her
the same joy that my daughter brought me.
Anne Teresa De Keersmaeker
October 10th, 2011

179 Comments

  1. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When I saw the actual video, I was struck by the resemblance of Beyoncé’s [...]

  2. [...] in Beyoncé’s new videoclip ‘Countdown,’” De Keersmaeker wrote in a statement to The Performance Club. “Obviously, Beyoncé, or the video clip director Adria Petty, plundered many bits of the [...]

  3. Rebecca
    October 10, 2011

    Excerpts from various (no complete) works used in Beyonce video: http://www.youtube.com/watch?v=WxbrHPAa9mE

    “To prove infringement, a plaintiff with a valid copyright must demonstrate that: (1) the defendant has actually copied the plaintiff’s work; and (2) the copying is illegal because a substantial similarity exists between the defendant’s work and the protectible elements of plaintiff’s.” Hamil Am. Inc, v.GFI, 193 F .3d 92, 99 (2nd Cir. 1999)

    “the test for illicit copying is based upon the response of ordinary lay observers, expert testimony is thus ‘irrelevant’ and not permitted.” Computer Assocs. Int’l, Inc. v. Altai, Inc., 982 F.2d 693, 713 (2nd Cir. 1992)

  4. [...] in Beyoncé’s new videoclip ‘Countdown,’” De Keersmaeker wrote in a statement to The Performance Club. “Obviously, Beyoncé, or the video clip director Adria Petty, plundered many bits of the [...]

  5. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When I saw the actual video, I was struck by the resemblance of Beyoncé’s [...]

  6. claudia
    October 10, 2011

    Oh, R! Those quotes are delicious! Point 2 especially – so specific and vague all at once…

  7. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When we saw a tangible video, we was struck by a similarity of Beyoncé’s shave [...]

  8. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When we saw a tangible video, we was struck by a similarity of Beyoncé’s shave [...]

  9. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When I saw the actual video, I was struck by the resemblance of Beyoncé’s clip [...]

  10. [...] Beyoncé’s video for “Countdown” has been getting some attention not only for being awesome, but for its similarities to a dance piece by Belgian choreographer Anne Teresa De Keersmaeker. In an interview with MTV, Adria Petty, director of “Countdown” and daughter of Tom, said about making the video: “I brought Beyoncé a number of references and we picked some out together. Most were German modern-dance references, believe it or not,” suggesting that the video’s similarities to De Keersmaeker’s work are intentional. De Keersmaeker, however, was never told her choreography would be used in “Countdown” and has written a piece responding to it. [...]

  11. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When I saw the actual video, I was struck by the resemblance of Beyoncé’s clip [...]

  12. [...] Keersmaeker sent a response to a blog called The Performance Club. An excerpt: “When we saw a tangible video, we was struck by a similarity of Beyoncé’s shave [...]

  13. [...] consulted regarding her choreography being used in “Countdown.” She released an extensive written piece in response: “Like so many people, I was extremely surprised when I got the message [...]

  14. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  15. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  16. [...] many bits of the integral scenes in the film,” said De Keersmaeker in a statement obtained by The Performance Club. The artist goes on to say that she is neither angered nor honored by Beyoncé’s rendition of her [...]

  17. Rebecca
    October 11, 2011

    Two more tidbits!
    These were the observations of a judge when comparing a film that had been adapted into a musical. They bring up interesting points to look at the whole as greater than the sum of the parts.

    “At their core, each rendition presents a radically different aesthetic placing one outside the copyright protection of the other.” P. 29, Canal+Image UK Ltd., v. Lutvak and Freedman 10 Civ. 2546

    “The scope of copyright extends only to works with a substantially similar total concept and feel.” P32, Canal+Image UK Ltd., v. Lutvak and Freedman 10 Civ. 2546

  18. Rebecca
    October 11, 2011

    “The performance may never be equaled, but that does not mean nobody has the right to try.”
    From same suit…

  19. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  20. [...] videoclip ‘Countdown,’ ” De Keersmaeker wrote in a matter on a Performance Club website on [...]

  21. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  22. [...] choreographer Anne Teresa De Keersmaeker responded to the video in a statement to The Performance Club:Like so many people, I was extremely surprised when I got a message through Facebook about the [...]

  23. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  24. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  25. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American “sings and dances very well”, her video is merely [...]

  26. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  27. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  28. [...] “When I saw the actual video, I was struck by the resemblance of Beyonce’s clip not only with the movements from ‘Rosas danst Rosas,’ but also with the costumes, the set and even the shots from the film by Thierry De Mey,” De Keersmaeker wrote in a blog post on ThePerformanceClub.org. [...]

  29. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  30. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  31. [...] videoclip ‘Countdown,’ ” De Keersmaeker wrote in a matter on a Performance Club website on [...]

  32. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  33. [...] videoclip ‘Countdown,’ ” De Keersmaeker wrote in a matter on a Performance Club website on [...]

  34. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  35. [...] “When I saw the actual video, I was struck by the resemblance of Beyonce’s clip not only with the movements from ‘Rosas danst Rosas,’ but also with the costumes, the set and even the shots from the film by Thierry De Mey,” De Keersmaeker wrote in a blog post on ThePerformanceClub.org. [...]

  36. [...] seen as a statement of girl power, based on assuming a feminine stance on sexual expression,” she wrote. “I was often asked then if it was feminist. Now that I see Beyoncé dancing it, I find it [...]

  37. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  38. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on Monday.Not long after the clip for B’s latest debuted, a number of websites pointed out [...]

  39. [...] videoclip ‘Countdown,’ ” De Keersmaeker wrote in a matter on a Performance Club website on [...]

  40. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  41. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  42. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  43. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American “sings and dances very well”, her video is merely [...]

  44. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  45. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  46. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  47. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  48. [...] ” De Keersmaeker wrote &#1110n a statement &#959n th&#1077 Performance Club website &#959n [...]

  49. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  50. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  51. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American “sings and dances very well”, her video is merely [...]

  52. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  53. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  54. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  55. [...] for her latest video, from a German choreographer named Anne Teresa De Keersmaeker, who actually called Bey out in a blog stating: “I’m not mad, but this is plagiarism. This is stealing. It’s a bit [...]

  56. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American “sings and dances very well”, her video is merely [...]

  57. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  58. [...] for her latest video, from a German choreographer named Anne Teresa De Keersmaeker, who actually called Bey out in a blog stating: “I’m not mad, but this is plagiarism. This is stealing. It’s a bit [...]

  59. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  60. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American „sings and dances very well”, her video is merely [...]

  61. [...] Keermaeker herself has been mostly neutral on the subject, saying she is neither “angry nor honoured”, complimenting Beyoncé’s dance skills, and congratulating the singer on her pregnancy. Keermaeker’s main reaction was instead to stop and consider why it took thirty years for her piece to enter mainstream consciousness despite its popularity within the dance community. She also notes that in its passage to the mainstream, the feminist sexual expression of the original has been reduced down into standard sexually titillating modern entertainment. Despite this, her legal team is currently assessing the situation. [...]

  62. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  63. [...] De Keersmaeker wrote in a statement on the Performance Club website on [...]

  64. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  65. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  66. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  67. [...] new videoclip 'Countdown,' " De Keersmaeker wrote in a statement on the Performance Club website on [...]

  68. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  69. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  70. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  71. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  72. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  73. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American “sings and dances very well”, her video is merely [...]

  74. [...] ” De Keersmaeker wrote &#1110n a statement &#959n th&#1077 Performance Club website &#959n [...]

  75. [...] movements from two films, Rosas danst Rosas and Achterland, the film’s lawyers have contacted Sony about alleged similarities, and there’s been tremendous chatter in the press and on blogs [...]

  76. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  77. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  78. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  79. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  80. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  81. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  82. [...] who has accused Beyoncé of plagiarising her dance moves for her latest video Countdown, has issued a statement suggesting that while the American “sings and dances very well”, her video is merely [...]

  83. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  84. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  85. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  87. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  92. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  94. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  95. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  102. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  103. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  104. mgm27
    October 17, 2011

    Wait, wait, wait – the one thing I always wonder when I see ATdK’s work is, doesn’t anyone notice how much it rips off Lucinda Childs? So maybe Lucinda needs to get in on some of this action too!

    Keep up the good work, P Club –
    xx
    megan

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  106. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  109. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  110. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  111. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  112. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  113. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  114. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  115. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  116. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  117. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  118. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  119. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  120. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  121. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  122. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  123. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  124. [...] ” De Keersmaeker wrote &#1110n a statement &#959n th&#1077 Performance Club website &#959n [...]

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  127. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  128. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  129. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  130. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  131. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  154. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  155. [...] know we’re a little behind the curve on this one (there’s a post on p-club about the situation, and it was even written up on pitchfork.) but we were talking about this whole [...]

  156. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  157. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

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  178. [...] ‘Countdown,’ ” De Keersmaeker wrote in a statement on the Performance Club website on [...]

  179. [...] Anne comentou sobre o vídeo em seu blog. Você pode ver o texto completo aqui, The performance club. [...]

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